The legacy of the Small Faces, a seminal British band from the 1960s, continues to captivate music enthusiasts and collectors alike. This time, we delve into the release of 'Decca Singles 1965-1967,' a limited-edition box set that offers a unique glimpse into the band's early years and the battles they faced.
The Story Behind the Cover
The cover photo, a black-and-white snapshot from 1966, tells a story of its own. It captures the band in a posh London neighborhood, dressed sharply, exuding an air of confidence and determination. This image contrasts sharply with the band's origins in the rough East End, showcasing their evolution and aspirations.
A Battle for Artistic Control
Among the Decca Singles, we find some of the Small Faces' greatest hits, but also a narrative of struggle. The band's manager, Don Arden, aimed to keep them under his thumb, but the musicians were determined to assert their artistic freedom. This battle is evident in the songs themselves, with tracks like 'Whatcha Gonna Do About It' and 'All Or Nothing' showcasing their unique blend of R&B and mod influences.
The Evolution of Songwriting Credits
One fascinating aspect is the evolution of songwriting credits. 'Hey Girl' marked a turning point, with band members Steve Marriott and Ronnie Lane receiving writing credits for the first time. This move towards recognizing individual contributions is a significant step in the band's journey towards artistic independence.
The Manager's Influence
Arden's influence is evident in the commercial shift seen in 'Sha-La-La-La Lee,' released after the relative failure of 'I Got Mine.' This decision, while perhaps driven by commercial considerations, also highlights the manager's control over the band's creative direction.
A Furious Marriott
The release of 'My Mind's Eye,' a classic 60s pop track, caused a stir. Marriott was furious as his manager had released a demo without his approval. This incident further fueled the band's desire to break free from their contractual obligations and seek artistic autonomy.
The Move to Immediate Records
The band's departure from Arden and Decca led to a messy situation. Despite this, the last two singles in the collection, 'I Can't Make' and 'Patterns,' were released without the band's consent. This move showcases the complex dynamics between artists and their labels, and the challenges faced by musicians in asserting their creative vision.
Keeping the Legacy Alive
Kenney Jones, the last surviving member of the Small Faces, has taken it upon himself to preserve the band's legacy. This latest release on Jones' Nice label is a testament to his dedication. With only 500 copies available, it's a collector's dream, featuring picture sleeves and archive material that provide a deeper insight into the band's history.
A Deeper Analysis
The story of the Small Faces and their battles with management and labels is a common theme in the music industry. It raises questions about the balance between artistic freedom and commercial success. The band's determination to control their own destiny is a powerful message for aspiring musicians.
Conclusion
'Decca Singles 1965-1967' is more than just a collection of songs; it's a window into the struggles and triumphs of a legendary band. It serves as a reminder that artistic integrity and control are often hard-fought battles, but they are essential for the longevity and impact of an artist's work. As we reflect on the Small Faces' journey, we're left with a deeper appreciation for their music and the stories it tells.
